TILTshift Dance aims to build relationships and community through the medium of contemporary dance. We believe in the many ways people can engage with dance - learning, practicing, creating, and collaborating. Through this engagement of shared bodily movement, we believe people practice empathy, experience catharsis, and develop a deeper sense of humanity. As individuals build relationships, communities build deeper ties both within itself and outwardly with others.
TILTshift Dance is a collective of collaborating dance artists, teachers and makers, founded in 2015 in San Francisco. Founder and Director Joyce Lien Kushner, gathered her friends and colleagues under TILTshift Dance as a means to share and promote their collective works and teachings. In 2019, Joyce moved back to her hometown of Del Mar, bringing TILTshift Dance with her and now engages with the San Diego dance community.
As dance makers, we create works for stage, film, and site specific. As dance teachers, we offer classes in modern, contemporary and conditioning/fitness. As dance educators, we hold workshops in choreography and encourage dialog through facilitated "wrecking" events. As community driven dance artists, we provide opportunities and space for other dance artists to work on their craft, to dig into the creative process, to collaborate artistically, and to tell their stories in their own voices.

Joyce Lien Kushner is a Taiwanese American dance artist, teacher, and maker. She is also a certified Progressing Ballet Technique® instructor. Throughout her years, Joyce has trained dancers of all ages and has performed and collaborated with artists all over California – Modern City Repertoire, Strong Pulse Dance, Epiphany Dance Theater, Surhabi Suraf, Sarah Bush Dance, Amy Lewis, Five Feet Dance, and Chris Black Dance.
In 2015, Joyce founded TILTshift Dance in San Francisco. Now in San Diego, she continues to teach, make work, and holds space for other dance artists to create and work. In 2024, she was awarded an 18-month artist residency by NTC Foundation in ARTS DISTRICT Liberty Station to help further these endeavors. In 2025 under TILTshift Dance, she co-organized and presented AADF, San Diego's first Asian American Dance Festival and residency program, centering AAPI dance artists and stories.
Joyce currently teaches at Lynch Dance Institute and Malashock Dance, as well as guest teaches throughout San Diego County. She has proudly serves on the board of Disco Riot since 2014.

"Human relationships fascinate me and inform both the content of my creative work and the collaborative approach I take. Complex beings, we perpetually navigate a myriad of emotions, beliefs, and desires, all of which shape how we relate to one another. When creating work with other artists, the process of watching and discovering how they relate to both the subject matter and to each other is just as important to me as is the research into my own personal relationship. I hold dance as a form of embodied storytelling, through which we explore our individual and collective histories, identities, morals, passions, conflicts, and communions. Through dance, I believe we can ultimately find connections, illuminations, empathy, catharsis, and sometimes even solutions to our human quandaries."

“The practice of training and educating dancers continually evolves. Dance techniques and styles change, and today's choreographers require versatile dancers. As a lifelong student myself, I continually research, learn, and add to my toolbox, focusing my practice on contemporary approaches.
I truly enjoy teaching all levels and ages. When working with trained dancers, particularly classically trained dancers, I help them find new movement pathways, ease in muscular effort, and added dimension in movement quality. How I teach reflects my concern for dancer longevity, incorporating functional anatomy and somatic approaches in my classes. When working with novice dancers, the joy of dance is first and foremost. Adult beginning and returning dancers hold a special place in my heart, as I myself retuned to dance in my mid 40s after almost 20 years away and a having child.
Thankfully, "who can dance" has evolved. I believe that dance is for everyone and every BODY – if you can move, you can dance. My class is not only a place for training, it is a safe, inclusive space for exploration, investigation, play, and above all, acceptance.”

"I am the daughter of hard working Taiwanese immigrants. I am a SoCal native who loves the beach. I am a wife, mother, ex-corporate manager, entrepreneur, and chocoholic. I am a dance artist, teacher, and maker whose journey has taken many detours...
Dancing professionally in Los Angeles during the 80s and 90s, few 'mature' female dance role models existed. Believing my time was up, I left dance in my late 20s and transitioned to a career in retail management and visual merchandising, which later led to branding and marketing. After marrying and having a son, I eventually 'burnt out' on corporate life. I left and started a Fair Trade organic chocolate business called Coco-Zen, building and running it for 7 years. However, dance is my first love, and it ultimately called me back at the ripe age of 46. Living in the San Francisco Bay Area at the time, the area's rich and diverse dance community welcomed me. Free from the constraints I felt in my earlier dance years, my time in San Francisco allowed me to develop more deeply as an artist, mature as an educator, and more importantly, showed me the importance of community. Now back in my hometown of Del Mar/San Diego, I am eager and excited to be teaching, making work, engaging, and hopefully adding to the dance community here...so much has changed!"

“An American born child of immigrants, being Asian and being American are two polar identities that I navigate between. Depending upon who I’m around or what is expected of me, the expression of my identity often morphs, whether consciously or subconsciously. Being a practitioner of modern and contemporary forms, dance had sat firmly in my American identity for much of my life. Then unexpectedly at the ripe age of 48, I was invited to explore my Asian identity through dance making for the first time. Working with other AAPI dance artists on a similar journey, I finally realized what it was like to live and tell my multicultural story through this art form that I’ve held so dear. I uncovered a wholeness that I didn’t know I was missing and a creative well that continues to shape me today as an artist.
AADF and the AADF residency program are born from a deep desire to share this journey with others, who like myself may have unconsciously suppressed sides of their identity, trying not to be too much of one or the other, but always feeling never enough. I hope our AADF participants can find validity in their many selves, liberate and celebrate those selves equally, and ultimately realize wholeness within their dance making bodies.”

Artist
Trixi Anne Agyao’s first experience dancing was with traditional Igorot dance she learned from the Northern California chapter of BIBAK. Her first ties to dance were about heritage, community and joy. Trixi is a socially conscious performer, choreographer and filmmaker using the digital guise of The Thoughtful Beast. she creates work centered on fighting the stigma against mental illness. Utilizing her visual storytelling experience, she sets out to make work that kinesthetically connects with her audience. Trixi is currently a company dancer for Mounarath Powell Dance.
Trixi is also an active volunteer. She is a lead volunteer for the San Diego, Filipino Cinema, United AAPI Artists and Mental Wellness for Artistists. Agiao co-founded The Filam Film Collective which focuses on Filipino American representation in the media. TFFC also provides affinity spaces for the AAPI community.
Website thethoughtfulbeast.com
Instagram @thethoughtfulbeast

Teacher
Courtney Giannone is a dancer, Cyr wheel artist, instructor, and choreographer based in San Diego. Originally from New York City, she holds a BFA in Dance from Fordham University and The Ailey School. Her performance credits include Queen of the Night, Best Time Ever with Neil Patrick Harris, and companies such as Company XIV, Malashock Dance Company, STREB, and Diavolo. A certified Horton instructor through The Ailey School Pedagogy Program, as well as a certified GYROTONIC® and Cyr Wheel instructor, Courtney teaches nationally and has presented her choreography at festivals, theaters, and educational institutions across the United States. Passionate about preserving the legacy of Horton Technique, she is honored to share its athleticism, musicality, and expressive range with dancers and to continue this tradition in Southern California.
Instagram @courtneygiannone

Artist
Forest Lee (they/them) is a queer dance artist and political organizer, residing on Kumeyaay land. They began their dance education at the age of 3, and danced competitively up to the age of 18, when they signed with Bloc LA Talent Agency. Forest has been fortunate enough to work with music artists such as Olivia Rodrigo and Doechii. Alongside their commercial dance career, Forest strives to use movement art and dance as tools for collective healing, liberation, and investigation of topics such as identity, connection, and the human experience as a whole. They are deeply informed by their work as an organizer with the Party for Socialism and Liberation, and are dedicated to fighting for a world in which all people have the right to live dignified, happy, and healthy lives. Forest views art, especially dance, as an integral component for achieving the world we all deserve.
PC: LIndsey Rose Photography
Instagram @_forestlee

Artist
Born and raised in Singapore, Lauren Lee (李爱玲) is a movement artist and dance maker currently based in San Diego. She recently graduated from UC San Diego, where she was a recipient of the Theatre & Dance Department’s Colleen Kendall Scholarship Endowment. Lauren’s work is largely informed by somatic movement and improvisational practices. Drawing from her background in public health, she is interested in using movement as a mode of healing, and a tool for exploring human resilience and relationships. Lauren has been fortunate to work with the San Diego Opera, San Diego Dance Theater, Malashock Dance, LITVAKdance, and as a visiting artist-in-residence for the 2025 Keshet Makers Space Experience in Albuquerque. She is currently an intern with DISCO RIOT’s (R)Evolution Artist Program. Lauren is passionate about using movement as a form of advocacy and community building; she strives to create and engage with work that explores authentic narratives and celebrates our common humanity.
PC: Doug McMinimy
Instagram @laurenn.lee

Artist/Team AADF
Nicole Oga (she/her) is a radical thinking dance artist, educator, and pedagogue who approaches her work through an intersectional lens that is influenced by abolition, collective liberation, anti-racist, black feminist praxis. In June 2024 she graduated from the University of the Arts Helsinki with a Master’s in Dance Pedagogy. Nicole works and resides on unceded Kumeyaay land, where she currently does dance education and outreach work with DISCO RIOT and teaches at Grossmont College. In her work she regularly questions and evaluates her practices and methodologies to ensure she is inclusive and in true solidarity with her community – listening to, collaborating with, and following the lead of those who are most impacted. She cultivates genuine empathy, compassion, and kindness, which she knows will transform the world into an equitable society where all are truly free.
PC: Antti Rintala
Instagram @dancingoga

Artist
Micah is a multi-facted dance and movement artist and current company member of Malashock Dance. She was born and raised in Vancouver, WA where she danced with Virtuosity Performing Arts and Groove Nation. She has since continued her training in intensive programs with NW Dance Project, The TL Collective, and Hubbard Street Dance Chicago. Micah was the recipient of Disco Riot’s 2022 Space Residency Program. She has performed works created by Alysia Johnson, Adam McGaw, James Gregg, Kameron Saunders and Ashley Green. Micah’s other passions include but are not limited to aerial pole, duo trapeze and visual/tactile arts.
Instagram @micahparra

Artist/Teacher/Team AADF
Combining partner acrobatics with movement research, Jade centers safety and celebrates creativity. Passionate about deconstructing the dance binary, Jade uses movement exploration to build confidence and encourage curiosity in movers of all ages and backgrounds. She has toured internationally with MOMIX, performed as guest artist with Pilobolus, and guided hundreds of students through their shared love of dance. New to San Diego, Jade is thrilled to join such a thriving dance ecosystem and is honored to be here.
Instagram @jadeprime

Teacher
An American Born Chinese (ABC) raised in the San Gabriel Valley in LA, Dr. Matthew Tay is a movement and martial arts educator. Holding a Doctorate of Acupuncture and Chinese Medicine (DACM) and an alumni of UCSD Dance, Matthew explores movement through the intersection of medicine, martial arts, and dance. His passion for Taichi stems from his journey to find his cultural heritage and roots. As a former USA Wushu Team member, Matthew still continues to compete semi-professionally but has shifted more to teaching. His goal is to share his knowledge of Taichi and Wushu and provide depth and nuance to these artforms.
IG: @taichimatt @qingpingtaiji
Website: https://linktr.ee/qingpingtaiji
PC: Art Counts

Founding Member / Artist

Founding Member / Artist

Artist

Introducing our new AADF2026 merch graphic, now available on sweatshirts, tank tops, water bottles, phone cases and more! All proceeds help fund AADF2026 programming and artists.