TILTshift Dance
TILTshift Dance
  • Home
  • About
    • About Us
    • Joyce Lien Kushner
    • Collaborators
    • About AADF
    • Wrecking
  • AADF
    • AADF2026
    • AADF2026 Community Day
    • AADF2026 CRIF
    • AADF2026 Film Screening
    • AADF2026 Mainstage
    • AADF2025
    • AADF2026 Winter Symposium
    • AADF Gatherings
    • About AADF
  • ChoreoWreck
    • Summer ChoreoWreck 2026
    • Past ChoreoWrecks
    • Wrecking
  • Classes & LABs
    • Classes
    • LABs
    • OpenLAB
    • ChoreoLAB
  • Photo Gallery
    • AADF2025 Community Pix
    • AADF2025 Film Screening
    • AADF2025 Mainstage Pix
    • AADF2025 Residency Pix
  • Calendar
  • Press
  • Vimeo
  • Connect
    • Contact Us
    • Subscribe
  • Donate / Pay
    • AADF Fundraising Campaign
    • PayPal / Venmo
  • Merch Store
  • More
    • Home
    • About
      • About Us
      • Joyce Lien Kushner
      • Collaborators
      • About AADF
      • Wrecking
    • AADF
      • AADF2026
      • AADF2026 Community Day
      • AADF2026 CRIF
      • AADF2026 Film Screening
      • AADF2026 Mainstage
      • AADF2025
      • AADF2026 Winter Symposium
      • AADF Gatherings
      • About AADF
    • ChoreoWreck
      • Summer ChoreoWreck 2026
      • Past ChoreoWrecks
      • Wrecking
    • Classes & LABs
      • Classes
      • LABs
      • OpenLAB
      • ChoreoLAB
    • Photo Gallery
      • AADF2025 Community Pix
      • AADF2025 Film Screening
      • AADF2025 Mainstage Pix
      • AADF2025 Residency Pix
    • Calendar
    • Press
    • Vimeo
    • Connect
      • Contact Us
      • Subscribe
    • Donate / Pay
      • AADF Fundraising Campaign
      • PayPal / Venmo
    • Merch Store
  • Home
  • About
    • About Us
    • Joyce Lien Kushner
    • Collaborators
    • About AADF
    • Wrecking
  • AADF
    • AADF2026
    • AADF2026 Community Day
    • AADF2026 CRIF
    • AADF2026 Film Screening
    • AADF2026 Mainstage
    • AADF2025
    • AADF2026 Winter Symposium
    • AADF Gatherings
    • About AADF
  • ChoreoWreck
    • Summer ChoreoWreck 2026
    • Past ChoreoWrecks
    • Wrecking
  • Classes & LABs
    • Classes
    • LABs
    • OpenLAB
    • ChoreoLAB
  • Photo Gallery
    • AADF2025 Community Pix
    • AADF2025 Film Screening
    • AADF2025 Mainstage Pix
    • AADF2025 Residency Pix
  • Calendar
  • Press
  • Vimeo
  • Connect
    • Contact Us
    • Subscribe
  • Donate / Pay
    • AADF Fundraising Campaign
    • PayPal / Venmo
  • Merch Store

COLLABORATIVE RESIDENCY, INTERNSHIP & FELLOWSHIP

AADF Collaborative Residency, Internship & Fellowship (CRIF) is a multi-year professional development and cultural empowerment program serving early to mid-career AAPI choreographers and dance artists, fostering new artistic growth, important leadership development, and deepened cultural engagement. 

COLLABORATIVE RESIDENCY SHOWCASE

We are proud to present our AADF2026 choreographic residents and mentees in their culminating showcase, after months of research, collaboration, and deep introspection.


Directors: Dr. grace shinhae jun and Joyce Lien Kushner

Residents: hannah 하연 joo and Forest Lee

Mentees: Vrisika Chauhan and Jess Dizon.

Intern: Deanna Magpali


Technical Director/Lighting Design: Zane Shrem-Besnoy

Logo Designer: Des Enano

SHOW PROGRAM

Greetings & Introduction

Brief overview of the AADF2026 Collaborative Residency, Internship & Fellowship (CRIF) program



joray hue tokray as part of Kama: Desire as Revolution

Choreography & Performance:

Vrisika Chauhan (mentee)


Music:

Arooj Aftab, aja monet, and Vrisika Chauhan


Video:

Spencer Duff 


juray hue tukray as part of Kama: Desire as Revolution is a section within this larger work that honors the grief of rebuilding and discovering oneself as a ritual practice. This piece comes out of Vrisika’s written and embodied research of creating a practice of Odissi (Indian Classical dance) that opens up space for queerness as a tool and liberative expression of gender liminality. juray hue tukray (pieces that are attached together) honors the different parts and dualities of being a Queer South Asian woman in the diaspora. It shares the journey of lineage, pain, and the weight of tradition that becomes a part of processing how we imagine a world of Queerness, as scholar José Esteban Muñoz defines it, a future we are continuing to work and desire towards. It leads with the question of how we move to accept all of who we are and CHOOSE love. To piece ourselves together endless times beyond societal norms and ground in our fullness! That we are not one singular thing but made up of so many beautiful nuances that deserve to be celebrated, honored, and seen!



Pa Lang

Choreography & Performance:

Jess Dizon (mentee)


Music:

DJ Love, Agostino Di Scipio, Ciro Longobardi, John Cage, Matt Monro, and Jess Dizon (featuring Rafael Dizon)


Pa Lang depicts my experiences as I notice and reconcile with the realities of my lolo and lola aging: the nostalgia, the worries, moments of optimism, and demonstrations of care. My elders hold a special presence in my life. They are irreplaceable figures who demonstrate virtues that I feel are lacking in American culture. I am haunted by the idea that I may see life without them; I wonder what could be lost in their absence, culturally or otherwise. My family has to evaluate how we will uphold our culture as the generation of Filipinos born and raised in the US. For now, that means being thoughtful in how we show up for each other in our shared anticipatory grief. But ultimately, my lolo and lola are still here with me, and I can find comfort and gratitude in the now.



Dysphoric Memorabilia

Choreography & Performance:

Forest Lee (resident)


Music:

Wilma Archer


Dysphoric Memorabilia is a window into my experience as I revisit poignant memories of gender dysphoria during my adolescence and teenhood. As someone who has been privileged enough to receive lifesaving gender affirming care that all trans people deserve and should have access to, I am lucky enough to now move through life in a body that feels like my own. And yet, the grief, pain, and trauma that exist within me, through my experiences with dysphoria, live on. Through this work, I unearth and lay bare my emotional and bodily memory, and I honor my younger self who fought so courageously to ensure that I’d get to be as I am now. I honor you, as well, no matter what degree to which you are able to relate to this work. We all carry these vulnerable, hidden, suppressed parts of ourselves. May this work invite you to honor yours.




***** INTERMISSION *****



귀:ritual for mass death

Choreography & Performance:

hannah 하연 joo (resident)


Text from 소년이 온다 Human Acts written and read by 한강 Han Kang translation by Deborah Smith


Sound/Music:

Growth Ring by 박지하 Park Jiha

driftless by OHYUNG

tugdug by 김재덕 Kim Jae duk


Archival footage from 고요한 아침의 나라 / In the Land of Morning Calm (1925)


"The sound of the word (도라갈) 귀 歸 which signifies return, a reversion is identical to (귀신) 귀 鬼 which signifies ghost and haunting, and (귀하다) 귀 貴 which means precious, noble, valuable. I found myself repeating, like a mantra: we return to what haunts us and what haunts us is what remains, what is precious." - Peace Pyunghwa Lee


We are haunted by manufactured mass death, brought on by imperialist wars and genocides, environmental destruction, and heightened surveillance and policing. In a world that demands we pay for our oppressors' profit and power with our lives, this ritual asks us to return to the sacredness of death in order to restore the sacredness of life. To return to the power that lies in our insistence on grieving still and cleansing the countless souls of those who have passed unjustly. To return to our sorrows as the remedy for apathy and inaction, and the source of our deepest conscientious.



***** 5 MINUTE BREAK *****



Panel Discussion

All Artists

AADF2026 RESIDENTS

Forest Lee

Forest Lee (they/them) is a dance artist, educator, and political organizer, working and residing on Kumeyaay and Tongva land. They have performed around the world, dancing for Olivia Rodrigo, Doechii, and Channel Tres, and they have had the pleasure of working with choreographers such as Robbie Blue, Joyce Lien Kushner, Christopher K. Morgan, and Dolly Sfeir. Forest strives to use movement art and dance as tools for collective healing, liberation, and investigation of topics such as identity, connection, and the human experience as a whole. They are deeply informed by their work as an organizer with the Party for Socialism and Liberation, and are dedicated to fighting for a world in which all people have the right to live dignified, happy, and healthy lives. Forest views art, especially dance, as an integral component for achieving the world we all deserve.

hannah 하연 joo

hannah 하연 joo (she/they) is an artist, program builder, and educator based in Tovaangar (traditional Tongva/Gabrielino lands aka Los Angeles). Hannah has performed throughout Southern California, Philadelphia, Washington, D.C., and New York with Courtyard Dancers, Agora Dance, Donna Sternberg & Dancers, BrockusRED, Mia Moraru, and Alice Lousen & Co, and they are currently a member of the 고은춤 무용단 Goeun Traditional Korean Dance Company. Hannah's movement practice explores the transmutation of grieving, mourning, and funeral rituals in the Korean diaspora as a source for resistance, mobilization, and collective liberation.

AADF2026 MENTEES

Vrisika Chauhan

Vrisika Chauhan is a South Asian dancer, choreographer, artist, and dance scholar in making, based in San Diego. She was born and raised in the Bay Area, CA, where she trained in Odissi, Indian classical dance, from the age of 11. Through her time as an undergrad at UC San Diego, she choreographed for the Theatre and Dance Department showcases where she grew love for making work and training in multiple different dance disciplines. She has also received the opportunity to work with CONTRA-TIEMPO Activist Dance Theater, Ana Maria Alvarez, Kara Mack, and Dr. grace shinhae jun. work with CONTRA-TIEMPO Activist Dance Theater, Ana Maria Alvarez, Kara Mack, and Dr. grace shinhae jun. Her work is rooted in social justice and research using the lens of her South Asian heritage to share stories that are often stigmatized in society. Through her work she hopes to inspire, question, and imagine a world that respects our shared humanity. 

Jess Dizon

Jess Dizon is a dance artist and educator who specializes in whacking, a queer club dance rooted in play, gesture, and reclamation. Her work is oriented towards joy and connection; often with intentions of building communal spaces and connecting movers to dance history and embodied knowledge. Her choreography highlights club dance vocabularies and has been showcased across the West Coast. Jess earned her MFA in Dance: Creative Practice from Saint Mary's College of CA, and leads local dance efforts through her work with Culture Shock Training Academy, Whacking San Diego, San Diego Unified School District, Heart2Art, and Fundamental. 

AADF2026 INTERN

Deanna Magpali

Deanna Magpali is a San Diego-based creative event producer and social media specialist with roots in building events for the AANHPI community since her time at SDSU. They are deeply driven by the art of storytelling, most especially in working with various up-and-coming artists and local organizations. With a high respect for all art forms, she has worked on various social media teams including Pacific Arts Movement, Sweet Dreams Dance Company, Girls Like Girls Street Team, and now, AADF. 

AADF MENTORS & CO-PRODUCERS

Dr. grace shinhae jun

Dr. grace shinhae jun is a mother, wife, educator, and mover. She is the daughter of a South Korean immigrant and a North Korean refugee, and the founder of bkSOUL performance company. Her research and artistic practices are grounded in Hip Hop culture and cross cultural collaborations that honor her ancestral lineage.

 

In 2001, she founded bkSOUL, a performance collective of educators, artists, storytellers, and organizers merging together movement, spoken word poetry, and live music. Their work has been presented in Trolley Dances, WOW Festival, Live Arts Festival, Philadelphia Fringe Festival, Dumbo Arts Festival, San Diego International Fringe Festival, and at Link’s Hall. grace has also choreographed for numerous staged plays, most notably for Will Power's "The Seven" at Occidental College. 


Her scholarship includes publications in the Oxford Handbook of Hip Hop Dance Studies and the International Association for the Study of Popular Music Journal, and is the co-editor with MiRi Park for Dance Studies Association’s 2022 ​​Conversations Across the Field of Dance Studies “Cyber-Rock: A Virtual Hip Hop Listening Cypher”. She co-organized the 2025 Show & Prove Hip Hop Studies Conference and co-directs the Asian American Dance Festival in San Diego.


grace received her MFA from Sarah Lawrence College and her PhD in Drama and Theatre from UCSD/UCI. With over 30 years of teaching experience, she is currently an Assistant Professor of Dance at San Diego City College, where she also serves on the Sankofa Social Justice & Education Conference committee, She is a teaching artist with transcenDANCE Youth Arts and has been a continuing lecturer at UC San Diego, where she was the recipient of the 2022/2023 Barbara and Paul Saltman Distinguished Teaching Award. She is most grateful to her husband Dr. Jesse Mills and their two children who keep her grounded and full of joy.

Joyce Lien Kushner

Joyce Lien Kushner is a second generation Taiwanese American dance artist, teacher, and maker, trained in modern, contemporary, ballet and jazz, and certified in Progressing Ballet Technique®. She has trained dancers of all ages, nourishing a philosophy that all bodies dance. She has performed and collaborated with artists throughout California since 1987 – Modern City Repertoire, Strong Pulse Dance, Epiphany Dance Theater, Surhabi Suraf, Sarah Bush Dance, Amy Lewis, Five Feet Dance, and Chris Black Dance. In 2015, she founded TILTshift Dance in San Francisco. 


Now back in her hometown of San Diego, Joyce continues her teaching and choreographic practice, while striving to build community among dance artists, uplift their voices, and create opportunities. In 2024, she was awarded an 18-month artist residency by NTC Foundation in ARTS DISTRICT Liberty Station to help further these endeavors. In 2025 under TILTshift Dance, she developed and co-produced AADF, San Diego’s first Asian American Dance Festival - a project born of her deep desire to carve out space for AAPI dance artists to share their stories, in their own voices, on their own bodies.


Joyce currently teaches at Lynch Dance Institute, Malashock Dance and Balletiquette, as well as guest teaches throughout San Diego County. She proudly serves on Disco Riot’s board and plays an active role in its continued success.


Learn more about Joyce

THANK YOU TO OUR GENEROUS SPONSORS AND DONORS

Jane Blount, grace jun and Jesse Mills, Kyrene Kaganastian, Mike and Joyce Kushner, Tisha Lee, Ming and Marjorie Lien, My Hanh Nguyen, Joy Tsai-Li, and Jacinta Wong.


Add your name to the AADF list of donors! All contributions support artists and production costs.

AADF2026 Fundraising Campaign

AADF is funded in part by City of San Diego Cultural Affairs and the Prebys Foundation.

TILTshift Dance is fiscally sponsored by San Diego Dance Theater.

Copyright © 2026 TILTshift Dance - All Rights Reserved.

Powered by

This website uses cookies.

We use cookies to analyze website traffic and optimize your website experience. By accepting our use of cookies, your data will be aggregated with all other user data.

DeclineAccept